Now And Then Album Cover – Living on a Diagonal

In November 2023, The Beatles released their last song, Now and Then, with front cover art by American artist, Edward Rushcha.

Observant fans have drawn comparisons between the Red and Blue compilation album covers and the Now and Then cover, in the sense that they all feature diagonal lines. Is that just a coincidence? Or does this type of line have a role to play in producing an interesting and fitting image?

Let’s start with those Red and Blue album covers. The Beatles are pictured on the internal stairway at EMI House in 1963 and 1969. The stairwell balconies create a set of diagonals. These images could have been presented face on, but photographer Angus McBean tipped everything sideways. In photography or art, horizontal and vertical lines naturally suggest stability and structure. Diagonals, by contrast, bring a sense of dynamism, excitement, instability or insecurity. In the words of Cornell academic Charlotte Jirousek, an object on a diagonal line is always unstable in relation to gravity. The Red and Blue era Beatles appear happy enough, but the angled balconies imply something like a sinking ship. The exciting and terrifying experience of being world famous, while creating music of turbulent reinvention, certainly must have been ‘unstable in relation to gravity’.

Now and Then has been billed as the last Beatles song, but lyrically it’s really about continuing emotional uncertainty, and does not suggest an end. The cover reflects this. Apart from the diagonals, the image is ambivalent in how solid it appears to be. The background colouration could be seen either as a flat plain, on which the diagonals sit as folds, or as a gauzy, misty, watery surface with depths beyond. We have not reached firm ground. Everything is still slipping and sliding, and we cannot be sure of our footing. In fact Rushcha’s cover makes me think of words associated – accurately or otherwise – with John Lennon: ‘It’ll be alright in the end, and if it’s not alright, it’s not the end.”

(Images courtesy of Wikipedia Commons)

Post script

Post script

I follow various art institutions on Facebook. Here are pictures posted to my feed in the few weeks after writing this article. It is an arbitrary selection, but just look at all the diagonals…

Houses in Murnau on Obermarkt by Wassily
Kandinsky
Le Bistro by Edward Hopper
Manson Maria with a View of Chateau Noir by Paul Cezanne
Road at St Paul by Felix Vallotton
Farm at Montfoucault by Camille Pissarro
Kiental mit Bluemlisalp by Eduard Boss

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