Schitt’s Creek – Bringing Liberals And Conservatives Together

In the TV show Schitt’s Creek, the wealthy Rose family are left destitute when their business manager is charged with embezzlement. Moving to a small American town, called Schitt’s Creek, they end up living in a motel. Despite a rocky start to their new life, the Roses soon find the town’s folk accept them for who they are, rather than for how much money they might, or might not, have. This acceptance extends to the Rose’s bisexual son David, who finds love in Schitt’s Creek, when he couldn’t find it in New York.

I loved the show, but there was something about it that puzzled me. Why was this small American town so liberal and tolerant? In reality, rural America was a generous source of votes for Donald Trump. Election maps show a stark divide between liberal, densely populated cities and conservative, sparsely populated countryside. Social scientist, Jonathan Rodden of Stanford University has recently published a book, called Why Cities Lose, trying to explain this split. There are various theories – some going back into history: one idea suggests that people with personalities more open to new experience headed for the nineteenth century’s emerging industrial towns, while those of a more cautious, conservative bent tended to stay on the farm.

This urban rural divide has become increasingly deep in recent times, exacerbated by voting systems which give excessive weight to physical size of voting area. The fact that liberal-voting city dwellers are packed into small areas, can give them less electoral clout compared to fewer rural voters spread out in larger spaces. This is a particular problem in the United States, where Democrat candidates can win with massive majorities in urban areas, but lose by slim margins in many rural locations. With a first past the post system, the result is fewer seats for Democrats than their individual votes would actually represent, which is how Hillary Clinton lost in 2016, even though she had popular vote advantage of nearly three million. This all contributes to a wider political divide between city and countryside than would otherwise be the case if individual votes carried equal weight.

How to overcome this divide? Schitt’s Creek has a go by disguising a racially diverse, culturally tolerant city, as a small town. Despite frequent linking shots of out-of-the-way grain silos and quiet railway crossings, there is much of the nature of a densely packed city existence in Schitt’s Creek. The Rose family are thrown together physically, in two neighbouring motel rooms, when up until now they have led isolated lives in luxury apartments. They are also obliged to live and work closely with various different sorts of people around them.

So, is this city-like town just a delightful fantasy? Is it a way of escaping the painful realities that are dividing many countries, America especially? Partly I think the answer is yes, but it’s not quite as simple as that. After all, urban life has pitfalls. The economic advantages of a city can create great wealth, and there is nothing like money for cutting people off in an entitled bubble. The Roses are not bad people, but they did fall into the isolating money trap during their glory days. A small town is a good place to strip away the wall of wealthy sophistication, and get back to relating to people in a more real, down-to-earth way. Johnny Rose, former head of the massive Rose Video chain, takes an interest in the dilapidated motel that has become his home, and starts working with its manager to try to make improvements. This means cleaning rooms, and working on the reception desk. Johnny’s son, David, opens a shop where he learns that you have to welcome customers, rather than keeping them away in the interests of exclusivity. Johnny’s daughter, Alexis, finds herself in a real relationship with the local vet, in contrast to her wealthy life, which had her moving through a series of high-profile but empty liaisons. Johnny’s wife, Moira, once a TV soap star, finds herself working with locals in singing groups and amateur drama productions. Compared to her life on the soap, where she seemed to spend most of her life drunk, Moira’s amateur theatrics are a welcome improvement.

In the end, understanding and acceptance of others is the key, and Schitt’s Creek suggests that aspects of both city and rural life can help us with that. The trick is to combine the best, and limit the downsides, of both.

If you haven’t seen the show I won’t give away the outcome, other than to say that if the Roses learnt a few things living in Schitt’s Creek, I learnt a few things watching them. Bravo, Dan and Eugene Levy, and their great cast. You made a show for our times.

Two Caravans

Two Caravans by Maria Lewycka is about the experience of immigrant workers in the UK. It starts out as a kind of people-trafficking gangster story, before evolving into a romance about two young people from different sides of the Ukrainian train tracks. Overall though, Two Caravans is what you might call a political novel, in the sense that it describes social injustices.

This being a novel, rather than a political tract, we see issues from many angles. As the story unfolds, we learn that people from overseas coming to find work in the UK are much safer and less vulnerable to exploitation if they are in the country legally. Then we learn that if people are working legally they are more expensive to employ. Legislation regarding minimum wage, or health and welfare, will apply to them. By contrast, illegal workers have no such costly protections. This leaves them defenceless and expendable, which in turn makes them attractive to some employers – because they are cheap and easy to get rid of if necessary. The employers of the cockle pickers who died at Morecombe Bay in 2004 are an example. So you end up in a situation where making people illegal, produces a job market for them, which might come as a shock for those of a nationalist bent. The desire to “keep immigrants out” in a twisted sort of way, makes a country more likely to attract desperate migrants seeking work. There are some unfortunate people who actually want to be illegal, dangerous as that might be, because it gives them a better chance of finding a job.

Two Caravans does not provide an easy answer to such conundrums. Novels are not usually a good place to find straightforward solutions to social problems. They are, however, very good at allowing us to experience the world as someone else might see it. There is something about the way a character voice sounds in our head that makes it very immediate. To some degree, we become, for example, a Ukrainian strawberry picker toiling in a Kent field. In the end, a capacity for empathy is the best way to encourage people to act compassionately. You can have rules and regulations, but the union reps and social warriors depicted in Two Caravans do not have all the answers. On top of legislation, or idealistic, progressive efforts, you must have fellow feeling, a sense that I could be in that person’s shoes. This understanding will make us treat each other better. The way in which a novel can cultivate this empathy is an important part of what makes it valuable as an art form.

So, I admired Two Caravans. Point of view does jump around a lot, which can occasionally be confusing. I have to admit to not being convinced by the dog’s point of view. So the dog doesn’t know punctuation, or lower case letters, but does know capitals? Even as a kind of shorthand for a non-human viewpoint, this was a bit odd for me. But that detail aside, by the end of the book I was glad to have seen things from so many angles; yes, even the dog’s. The book is funny, shocking, depressing, intelligent, and is a contribution to people’s understanding of each other in our divided times.