Silverview is John Le Carré’s posthumously published 2021 novel about a City trader who plots an escape to bookshop ownership in a quiet English seaside town. But once installed in his new shop, he inadvertently becomes involved in the affairs of a disenchanted former spy.
Obviously, reviewing a book like this involves not giving away plot details, keeping secrets, as any good agent gathering information is obliged to do. But a review is also designed to let people in on a few secrets so that a potential reader can decide if this is a book for them. Or you might have already read the book and are looking to see what someone else found in it. Tricky – the secrets you keep or give away in this intelligence report.
What I will say is that I enjoyed Silverview. To me it was a study in the contradictions of belief, the meaning that people find in being passionate about something – whether that’s related to religion, politics, nationality or fighting the good fight against extreme manifestations of whatever belief people latch onto. Agents who are passionate about the rightness of their mission are highly motivated. However, that passion remains an unpredictable energy, which can easily express itself in dangerous ways. Here we have the thoughts of a Secret Service staffer, who characterises life in the Service as the avoidance of passion:
Absolute commitment of any sort constituted to his trained mind a grave security threat. The entire ethic of the Service was utterly – he would almost say absolutely – opposed to it, unless, that is, you were talking of manipulating the absolute commitment of an agent you were running.
As a final note, with an admitted risk to security, I will share one thought with you, which might help provide a way into the central contradiction of Silverview. Perhaps Le Carré puts his main idea into the form of a little code. It would be a similar code to that found in the name of the lovely character, Liz Gold, in The Spy Who Came In From The Cold. In that book it is hard to work out where exactly constitutes the Cold, when one side uses the same ruthless tactics as the other. This confusion might be characterised by Liz Gold’s name – gold sounding so similar to cold. Silverview has a character who had me thinking similar furtive thoughts. She has a “nun-like” devotion, representing a capacity for passionate commitment, which has ambivalent outcomes. Her name is only one letter away from ‘mania’. I will leave you to find her and come to your own conclusions.
This book brings the spy story into an age where those national struggles the Service was built to support, have themselves become a threat. It’s a fascinating and timely addition to Le Carré’s collection of work